If you’re expecting a riot of orgies and sexual perversion, then think again. Director Benoît Jacquot has chosen to concentrate on the celebrated Marquis as libertarian and intellectual who spent a third of his life in jail, against the background of the French Revolution among the aristocrats, harlots and fops imprisoned at Picpus during the Terror. Daniel Auteuil’s de Sade is not so much sadist – apart from the large black dildo he uses as a paperweight – as a puppetmaster staging his play or cynical procurer, manipulating the desire of young Emilie.





